SOČR | Violin Concerto No. 2, La Bagarre

Monday 4 November 2024, 7.30 pm
Municipal House, Prague, CZ

Bohuslav MARTINŮ: La Bagarre, H 155
Bohuslav MARTINŮ: Concerto for Violin and Orchestra No. 2, H 293
Antonín DVOŘÁK: The Noon Witch
Igor STRAVINSKIJ: The Firebird, suite

Prague Radio Symphony Orchestra (SOČR)
Petr Popelka (conductor)
Josef Špaček (violin)

The concert is broadcast live by Czech Radio station Vltava.

The concert takes place in cooperation with the Bohuslav Martinů Days festival and with the financial support of the Bohuslav Martinů Foundation.

The chief conductor of the Prague Radio Symphony Orchestra, Petr Popelka, teams up with Josef Špaček, one of the best violinists of the younger middle generation, to perform Bohuslav Martinů’s second violin concerto, written in 1943. It was created during his exile in the USA. Refusing to return from France to occupied Bohemia, the composer had to flee Europe just before the German troops reached Paris. He and his wife arrived in New York on the last day of March 1941. The Violin Concerto premiered on the last day of 1943 in Boston. It was thought that Martinů had written no more concertos for violin and orchestra until the discovery in 1968 of an earlier one that had previously been thought lost.

La Bagarre, or “The Tumult” in English, is the fruit of his departure for Paris, an innovative composition from 1926, charged with a modern atmosphere of movement, vigour and rush; it is an image of the uncontrollable movement of great masses of people. Martinů dedicated the composition to the memory of the landing of the American aviator Charles Lindbergh after his first transatlantic flight.

The other two works are distinctly programmatic and have a literary basis. Antonín Dvořák’s Polednice (The Noon Witch) is one of four symphonic poems he composed on his return from America, based on themes from Karel Erben’s collection Kytice (A Bouquet of Czech Folktales). Dvořák was fascinated by the poetic tales not only for their colour and fairy-tale charm, but also for their emphasis on moral principles. He also liked the rhythm and flow of the poems, so that many passages in the score could be directly supported by the text. It was an original approach that was not typical of the music of his contemporaries. Igor Stravinsky’s The Firebird is a colourful ballet fairy tale.

More information:
https://prso.czech.radio/petr-popelka-josef-spacek-9199750
https://martinufestival.cz/koncert/petr-popelka-josef-spacek